This might NOT be true if there are any OTHER movies about blind horse jumpers.
Jeremy London stars as "Rick Chilton," a 17-year-old juvenile delinquent who gets a chance to work as a stable boy at a ranch for blind kids instead of having to stay in the detention center. I'd like to say that London is a "bad boy with a capital B," because I like the sound of that phrase. But it's completely untrue. If you put London's portrayal of "Rick" in a lineup, he'd probably be picked out to be the first counselor in the priest's quorum. He is locked up because his parents died or something and he ran away from his uncle, and did some petty crimes, but there's just no getting around the fact that he's really, really, really not a bad guy. Yet the plot seems to indicate that he's supposed to be worse than he seems. The adult detention counselor (warden?) seems to think that Rick is trouble with a capital T, but that animosity is never believable
Rick was raised around horses, and loves working with them, so he is thrilled to have a chance to work at the ranch instead of digging ditches as part of work detail at the detention center. He is surprised when he arrives at the camp and finds that it is a camp for blind kids, but he soon settles in and turns things around in the neglected horse stable.
He soon meets a new guest at the ranch -- a newly blind former gymnast named Lindsay Kurtz (played by Gina Philips). Lindsay is extremely unfriendly and doesn't even want to be at the camp. She hasn't adjusted well to being blind. She exhibits a major case of Bad Attitude.
Well, if you've seen a few After School Specials, you know exactly where the whole movie is going. There will be attitude changes for Rick and Lindsay. They'll fall in love or something approximating it, and share a kiss. (I guess there are no ethical restrictions preventing stable boys from fraternizing with ranch guests.) There will be a bunch of horse riding, a harrowing rescue of a helpless little blind boy on a cliff above a raging river, etc., etc.
I didn't know anything about the movie, so the biggest surprise for me was when Lindsay decides she wants to compete in a nearby horse jumping competition, as a regular competitor among sighted riders. Can a blind person do this? is a question many people in the movie ask. Lindsay is so determined to jump horses competitively because she misses the rush she got competing as a gymnast. So if I understand correctly... She can't do gymnastics as a blind person, but she can jump horses? I don't know if that makes sense, but I don't know a lot about blind athletics. To its credit, the movie really sells the idea of Lindsay training to jump horses. She uses auditory clues to keep her bearings, and she counts paces, etc. And, after all, the horse does much of the work. Few concrete details were provided, but there were enough that I was willing believe it.
The whole thing about the little blind boy who goes horseback riding in the middle of the night and gets lost and attacked by wolves and ends up hanging from a cliff face. That was a bit melodramatic. And I wondered why in the world Rick took Lindsay with him to search for the boy. Other than the fact that she's the female lead in the movie, there seemed to be no reason to do so.
I was also annoyed by Rick's juvenile delinquent friends who plan to help Rick break free from the ranch (which he actually enjoys being at), so they can escape to New York City. This is despite the fact that Rick has only a few weeks left to finish serving his sentence, and he'll be completely free anyway. Completely idiotic. But I guess if they were highly intelligent, they wouldn't be juvenile delinquents with warrants out for their arrest.
There's also a stock character pretty-boy jerk camp counselor who resents Rick, a romance between the detention center warden and the camp director, and a few other plot elements like that which do little to enhance the movie.
"Breaking Free" was directed by David MacKay and produced by David Anderson for Leucadia Film Corporation. Leucadia is the Utah-based film production company which made feature length family-friendly films, including Sterling Van Wagenen's "Alan & Naomi", Blair Treu's "Just Like Dad", "The Paper Brigade" and "Wish Upon a Star", and "Windrunner", written by Mitch Davis. Like all Leucadia films (except for the theatrically-released "Alan & Naomi), "Breaking Free" went straight to the video and TV movie market. That's a good thing, because by no means is it up to the standards of theatrically-released feature films. It should even be classified as a "lesser" Leucadia film. Although all of the company's movies are low-budget productions, most of them at least have a little more life and character than "Breaking Free."
The acting isn't bad. The cinematography is very straight-forward and serviceable. The movie has no objectionable content, which is good.
Unfortunately, the main character arcs for Rick and Lindsay, as well as their relationship, are predictable within the first few minutes of the movie. Overall, the film is competently made, but it just seems flat. Except for the unusual matter of blind horse jumping, "Breaking Free" is a forgettable film.
Jeremy London
Gina Philips
Megan Gallagher
Adam Wylie
Christine Taylor
Scott Coffey
Briane Krause
and
Nicolas Surovy
as Mae
Casting by
Mary Margiotta
and
Karen Margiotta
Production Designer
Mark Hofeling
Editor
Bret Marnell
Director of Photography
Christopher Faloona
Music Composed
and Conducted by
Steve Dorff
Co-Producer
Don Schain
Story by
Barbara Clark Wanbaugh
Screenplay by
Barbara Clark Wanbaugh
and
Virginia Gilbert
Produced by
David Anderson
Directed by
David MacKay
Rick Chilton | Jeremy London |
Lindsay Kurtz | Gina Philips |
Dolly Rankin | Adam Wylie |
Annie Sobel | Megan Gallagher |
Mae Lawton | Nicolas Surovy |
Brooke Kaufman | Christine Taylor |
Blitz | Scott Coffey |
Clay Nelson | Brian Krause |
Cal Morris | David Jensen |
Buster Higgins | Jesse Bennett |
Joey | Matt Bohling |
Mr. Kurtz | Michael Flynn |
Mrs. Kurtz | Margo Swena O-Very |
Lillian Morris | Diane Kay Grant |
Lizzie | Marnie West |
Tim | John R. Turner |
Schaef | Heath Pillar |
Hallsie | Greg Whiteley |
Syd | Rebecca Hunt |
Judge | Richard Clark |
Announcer | Fred Willecke |
1st Rancher | Tom Proctor |
Bar Patron | Glenn Edwards |
Gymnastics Announcer | Kathy Johnson |
Band | "My Sister Jane" Marth Bourne Sally Shaum Shelley White Julie Lueders Trace Wiren |
Stunt Coordinator | George Fisher |
Stunts | Kathy Johnson Kristen Kenoyer Heather Irbinskas Bobby Porter Diane Kay Grant |
First Assistant Director | Matias Alvarez |
Second Assistant Director | Miriam Epstein |
Assistant to Mr. Anderson | Susan Sandack |
Assistant to Mr. Schain | Shauna Miller |
Production Coordinator | Kerry Shea |
Production Accountant | Jeff Crane |
Second Unit Directors of Photography | Brian Sullivan Pat Reddish |
First Assistant Camera | Van Flesher |
Second Assistant Camera | John Mans |
Steadicam Operator | Mark Moore |
Additional Camera Assistant | Robert (Dobber) Price |
Camera Production Assistant | Jeff Johnson |
Still Photographer | Merrie Weismiller Wallace |
Gaffer | Stephan Schultze |
Best Boy Electric | Michael Cook |
Electricians | Doug Arnold Jeff Rosenblatt |
Additional Electricians | Roger Stoddard Paul L. Deely |
Key Grips | Alvin Simmons Kevin Kennedy |
Best Boy Grip | Julie Fife |
Dolly Grip | John Strubbe |
Grip | Jacob Thomas |
Additional Grips | Duncan Filson Douglas Patrick Darren McLaughlin |
Production Sound Mixer | Douglas Cameron |
Boom Operator | Joseph Garrard |
Prop Manager | John Harrington |
Set Decorator | Chris Griffis |
Set Dresser | Rick Curtis |
Property Assistant | Lu Prickett |
Swing Gang | Mike Jones Ben Fox Brad Thomas |
Carpenters | Andrew Novetzke Doug Nydegger |
Head Animal Wrangler | Gene Walker |
Assistant Animal Wrangler | Bobby Lovgren |
Hero Horses Provided by | Sled Reynolds Animals-R-Us |
Background Horses Provided by | Lamont Christensen |
Wolf and Dog Provided by | Clint Youngreen |
Owl Appears Courtesy of | Utah's Hogle Zoo |
Handled by | Bill Lloyd Animal Technician Rich Hendron Education Curator |
Wardrobe Designer | Barbara Joan Nelson |
Wardrobe Supervisor | Ryan McCormick |
Costumer | Amy Roberts |
Key Makeup and Hair | Robin Michelle Stepp |
Assistant Makeup/Hair | Troy Lunt |
Special Effects | Allen L. Hall Bob Williams |
Location Manager | Marshall D. Moore |
Location Assistant | Ellen Schiess |
Key Set Production Assistant | Tobijah Tyler |
Production Assistants/Set | Alan Boardman Win Whittaker |
Office Production Assistants | Kimberly Harwood Jacqueline Watney Karl Huddleston |
Script Supervisor | Mary Jo Conder |
Accounting Assistant | Tamara C. Williams |
Assistant to Mr. McKay | Shirlee Wilson |
Production Officer/Editing Intern | Rachel Long |
Catering by | Viking's Feast |
Craft Service | Terrance Frees |
Craft Service Assistant | Jim L. Jones |
Set Medics Provided by | Event Medical Services, Inc. |
Security Provided by | Rick Bailey |
Studio Teacher | Cindy Fischer |
Transportation Coordinator | Barry J. Tuttle |
Transportation Captain | Bob Alcott |
Driver #1 | Doug Nydegger |
Motorhome Driver | DeAnne Anderson |
Van Driver | Karen Raby |
Honeywagon Driver | Paul Thomas |
Camera Car Driver | Ray Tostado |
Utah Casting by | Reider, Bass, Irwin & Associates Marcia Dangerfield |
Extras Coordinator | Linda Bearman |
Stand-In for Mr. London | Jeff Johnson |
Stand In for Ms. Philips | Kimberlee Gates |
Stand-In for Mr. Wiley [Adam Wylie] | Lincoln Anderson |
Stand-In for Ms. Gallagher | Sheryl L. Wardell |
Stand-In for Ms. Surovy | Robert Tiller |
First Assistant Editor | Lori Petersen |
Second Assistant Editor | Kelly Edmunds |
Editorial Intern | Marcie Sorenson |
Post Production Supervisor | Shauna Miller |
Re-Recording Services | Magmasters Studios |
Re-Recording Mixers | James G. Williams Tom Ruff Vern Poore |
Recordist | Diane Linn |
ADR Mixer | Beau Biggart |
Supervising Sound Editor | James Troutman |
ADR Editor | Gonzo |
Sound Editorial | Daniel Thomas Sam Gemette Michael Virnic Clancy Troutman |
Background Editorial | Bill Fox |
Assistant Sound Editor | Salene Stevens |
Foley Mixers | Jeffrey Heyveld Al Gomez |
Foley Artists | Casey Crabtree James Bailey Evie Dutton |
Loop Group Provided by | Ginny Tyler |
Ultra-Stereo Consultant | Daniel W. Victor, Jr. |
Titles and Opticals by | Cinema Research Corporation |
Cameras Provided by
Otto Nemenz
Negative Cutters | Chris & Gary Weber |
Color Timer | Ray Morfino |
Color by | Fotokem Laboratories |
FOTO-KEM
FOTO-TRONKS
Recorded by
ULTRA-STEREO
Music Recorded at | LA East Studios Salt Lake City |
Music Mixed at | O'Henry Soundstudios |
Music Scoring Engineere | Rick Riccio |
Second Engineer | Robert Abeyta |
Assistant Engineer | Jeff Isaac |
Music Editor | Chris Ledesma |
Orchestrated by | Larry Herbstritt |
Orchestra Contracted by | Robin Leishman |
"New Amsterdam"
Written by Martha Bourne and Kate Reddy
Performed by Sister Jane
"On the Wings of Forever"
Performed by B.J. Thomas
Courtesy of Warner Bros. Records
Written and Performed by
Douglas A. Snider & Paul Overstreet
Sincere Appreciation for the Following:
Utah Film Commission
Francis Blend School (For the Blind)
Training by Colleen Morrison
Robert A. Day and
The Utah State Division of Services
for the Visually Handicapped
Telescensory
Accessability Technologies, Inc.
Mobility Services
Great Salt Lake Council - B.S.A. - Camp Tracy
Saltair Farms-Kari Swainston
Hayes Brothers Buick-Jeep-Eagle
Brackman Bros., Salt Lake City
Blimpie - Subs and Salads
Music by
Packer Productions, Inc.
for Leucadia Film Corporation
Copyright © 1995
Leucadia Film Corporation
All Rights Reserved
The animals used in this film were in no way mistreated and all
scenes in which they appeared were under strict supervision
with the utmost concern for their handling.
The persons and events portrayed in this motion picture are
fictitious. No similarity to actual persons, living or dead, is
intended or should be inferred.
This motion picture is protected under laws
of the United States and other countries. Any unauthorized
exhibition, distribution or reproduction of this motion picture or
videotape or any part thereof (including the soundtrack) may
result in servere civil and criminal penalties.
LEUCADIA FILM CORPORATION